Peter Boxall is a Professor of English at the University of Sussex (UK) and a co-organization, with Sherryl Vint, of the Artificial Lives project. His research focuses on the relationship between aesthetics and politics in modernist and contemporary writing. His publications include Don DeLillo: The Possibility of Fiction (2006), Since Beckett: Contemporary Writing in the Wake of Modernism (2011), Twenty-First Century Fiction (2013), and The Value of the Novel (2015), and he is the co-editor of volume 7 of the Oxford History of the Novel. He edits the journal Textual Practice and has edited a number of other books on modernist and contemporary writers. His current research project is titled The Prosthetic Imagination: A History of the Novel as Artificial Life.
François-Joseph Lapointe is an artscientist from Montréal (Canada) with a PhD in evolutionary biology (1992) and a PhD in dance and performance studies (2012). As a scientist, he has published over 100 papers ranging from molecular systematics and population genetics to metagenomics. As an artist, he applies biotechnology as a means of dance composition, and has created the field of choreogenetics. For his most recent project, he is currently sequencing his microbiome (and that of his wife) to produce metagenomic self-portraits (or microbiome selfies). His work as a bioartist has been exhibited in Canada, France, Germany, Denmark, Australia and the USA.
Lisa Diedrich is Professor of Women’s, Gender, and Sexuality Studies at Stony Brook University. Her research and teaching interests include critical medical studies, disability studies, feminist science studies, and interdisciplinary feminist and queer theories and methodologies. She is the author of Indirect Action: Schizophrenia, Epilepsy, AIDS, and the Course of Health Activism (2016) and Treatments: Language, Politics, and the Culture of Illness (2007), and the editor (with Victoria Hesford) of Feminist Time Against Nation Time (2008).
David Wills is professor of French and Comparative Literature at Brown University. He is the author of 3 books on the originary technicity of the human (Prosthesis, 1995; Dorsality, 2008; Inanimation, 2016), as well as other works on deconstruction, Derrida and film theory (with Peter Brunette), Pynchon (with Alec McHoul), and the forthcoming Killing Times: The Temporal Technology of the Death Penalty. He has also translated a number of works by Jacques Derrida.
Allison Hedge Coke is a Professor of Creative Writing at UCR. She is the 2016 Library of Congress Witter Bynner Fellow, and the author of numerous books including: Streaming (Pen Southwest Book Award in Poetry, Wordcrafter of the Year Award, Lifetime Achievement Award NWCA, IPPY Medal); Off-Season City Pipe (labor volume, Wordcraft Writer of the Year in Poetry) and Dog Road Woman (American Book Award); Blood Run (free verse-play regarding the Indigenous mound site in Iowa and South Dakota, Best Seller in US & UK). She has has been an invitational poet-writer in Ireland, Scotland, China, Canada, Mexico, Argentina, Colombia, and Venezuela. She has been instrumental in creating literary venues and programming with a special focus on Sandhill Cranes, the environment, migration, labor, incarcerated youth, and underserved communities, with career devotion to serving Indigenous communities
"Mind: Matter: Artifice"
"'Blood Will Out': The Artificial Flow of Time"
"General Practices: Illness and Disability in Action"
Jon Mee came to York in 2013 after seven years at the University of Warwick as Professor of English and over a decade in the English Faculty at Oxford where He was Margaret Candfield Fellow in English at University College (the one that threw Shelley out for atheism 200 years ago) and Professor of Literature of the Romantic Period. Prior to moving to Oxford, he was a Senior Lecturer at the Australian National University. He did his undergraduate degree at the University of Newcastle-upon-Tyne followed by a PhD at Cambridge. I was a Junior Research Fellow at Jesus College, Oxford, before I moved to Australia in 1991.
His most recent monograph is Conversable Worlds: Literature, Contention, and Community 1762-1830 (Oxford University Press) based on research funded by a Phillip J. Leverhulme Major Research Fellowship. It will be published in paperback in October 2013. During the course of working on the book, He held fellowships at the University of Chicago (2008), the Yale Centre for British Art (2009), and the Australian National University (2009). He has also recently published The Cambridge Introduction to Charles Dickens and an essay on 'Popular Radical Culture' in The Cambridge Companion to British Literature of the French Revolution in the 1790s.